Young love, subversive music and old crime
The trio of films for this month bring home the notion that life, no matter how we try to control it, just can’t be.
July at the Orinda Theatre also heralds a brand new feature, hosted by none other than Orinda Theatre head Derek Zemrak himself. It’s called “50 Movies You May Not Have Seen – That You Should.” This is an excellent opportunity to increase your film knowledge, as Zemrak is Lamorinda’s gift to cinephiles.
The first film in the series is “Flipped.” Released in 2010, this little known Rob Reiner film may not have the irreverent humor of “Spinal Tap” or the heavy drama of “A Few Good Men,” but what it does have is an honesty little seen in today’s cinema.
It’s a coming-of-age film, filled with nostalgia, romance and precious dialogue that approaches young love from both her view and his. There is also no shortage of wisdom, mostly from the adults, which still rings true today, just as it did when we were growing up.
It’s a genuinely moving film that will, doubtless, remind you of your own younger days. It screens July 7 at 6:30 p.m. with an open discussion afterwards.
The next film takes an entirely different approach regarding the formative years. How could it not with Ken Russell at the helm? Known for his wild unconventionality, he brings the Who’s rock opera “Tommy” to the big screen with an almost rabid aplomb.
Visually and aurally stunning, the all-star cast, led by Who lead singer Roger Daltrey in the titular role, propels and, in some cases, repels you with overwhelming images.
Other famous rockers, such as Tina Turner, Eric Clapton and Elton John all contribute to the madness along with stars Oliver Reed and Ann Margret. Even Jack Nicholson makes an appearance.
This is a film that no one can prepare you for. Best to just (rock and) roll with it. It will blast upon the screen on July 17. Admission free.
Lastly, there’s “The Asphalt Jungle” starring Sterling Hayden and Louis Calhern, a noir movie that is often overlooked. Released in 1950, when film noir was just beginning to go out of fashion, but with John Huston in the director’s chair, this film is a powerful sendoff.
Another distinction is the crime itself. In and of itself, the thieves manage to accomplish their goals, but it’s what happens afterwards when things go wrong.
As is typical of this genre, the crime in question is performed by men. However I would be remiss if I didn’t mention the female element, specifically the dramatic turn by Jean Hagen – more known for her comedic role as Lina Lamont in “Singin’ in the Rain” – and a brief appearance by a very young, and then little known, Marilyn Monroe. It screens July 29 at 1 p.m.
As ever, check out orindamovies.com for more information, and always remember to veer towards those wonderful images made from sound and light – for that’s where the reel magic lies.
